![]() Christine and husband Matt DeAngelis are currently working with voice teacher Noel Smith as the acting coaches for her studio. ![]() Other NY/Regional credits include Murder Ballad (Sara) Studio Theatre, The Radio City Christmas Spectacular, and Jesus Christ Superstar Live on NBC with John Legend, Sara Bareilles, and Alice Cooper. National Tours: Waitress (Jenna), Finding Neverland (Sylvia), Rent (Maureen). CHRISTINE DWYER (Mother) is stoked to be making her TheatreWorks debut in this amazing show! Broadway credits include Wicked (Elphaba), which she also performed at the 2014 Tony Awards as well as representing the United States at the Hannover Messe in Germany performing for President Obama and Chancellor Angela Merkel. Beaumier earned her BFA from Carnegie Mellon University and is a New York City native. Her TV and film credits include Modern Love (Amazon), Blindspot (NBC), Alternatino (Comedy Central), and Mariannes Noires (Round Room Image), a documentary about Afro-French womanhood. Rees Ziti’s Pageant at ArsNova’s ANTFest, originating the role of Restin. Regional credits include Godspell and Ragtime at Theatre Aspen, Marvelous Wonderettes at Repertory Theatre of St.Louis, and Dr. She played Josephine Baker in The Dark Star from Harlem at La MaMa Theatre in New York City (AUDELCO for Best Lead Actress in a Musical). IRIS BEAUMIER (Sarah) recently made her Broadway debut as The Narrator Alternate in The Little Prince. He has worked for American Conservatory Theater, American Musical Theatre San Jose, Center REP, San Jose Stage Co., Marin Theatre Co., Broadway by the Bay, Sierra Repertory Theatre, and Woodminster Summer Musicals, just to name a few. Noel is a veteran of over 75 full productions in a span of 25 years. NOEL ANTHONY (Father) returns to TheatreWorksĪfter appearing in the musical Sense and Sensibility (Colonel Brandon), Rags (Nathan), Sweeney Todd (Pirelli), The Secret Garden (Neville), Merrily We Roll Along, A Little Princess, and Jane Eyre (Mason). Around these characters, larger societal sea changes occur, contextually anchored by appearances from historical figures like J.P Morgan, Harry Houdini, Evelyn Nesbit, and Emma Goldman.*Members of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States These disparate-yet-intertwined experiences unfold across three character arcs: the matriarch of a wealthy upstate New York family (Kendra Kassebaum) questioning the bubble of her comfortable life amid social turmoil, Tateh's struggle to fend off starvation-let alone strike it rich-amid a labor revolt, and Walker Jr.'s realization that the American Dream does not apply to him. Washington's words on the need of patience and dignity in the black community still ringing in his ears.ĥth Avenue's new production, directed by Peter Rothstein , plays out in this way-as it does in R.L Doctorow's 1975 novel and the Broadway debut nearly 20 years ago-as a broad parable on the racial divides in America during the early 20th century. bought the car from Henry Ford himself, see. It was a testament to his hard work and a promise for a better life-Booker T. ![]() leaves to find a police officer, the group vandalizes his car and defecates in the front seat. (Douglas Lyons), a successful Harlem pianist riding in a brand new car with his wife-to-be Sarah (Danyel Fulton) and their infant son, crosses paths with a group of unsurprisingly racist volunteer firemen who demand a toll from the black family in order to pass. Later in the first act, Coalhouse Walker Jr.
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